Honors Thesis Archive

Author	Nicholas Weissman
Title	Almenraeder, Heckel, and the Development of the Bassoon
Department	Music
Advisor	Brandon Jones
Year	2021
Honors	University Honors
Full Text	View Thesis (360 KB)
Abstract	The bassoon is one of the most easily recognizable instruments due to both its unique shape and tone quality. Known for its versatility and extensive range, the bassoon has become an indispensable member of wind ensembles, symphony orchestras, and chamber ensembles alike. However, some of the earliest bassoons were such poor quality that musicians opted for their antiquated counterpart, the dulcian, instead. Despite its humble beginnings, the bassoon over hundreds of years and countless skilled craftsmen has been developed into an instrument of high quality, well suited for its solo and orchestral roles. As with many instruments in the modern orchestra, the history and development of the bassoon is anything but linear. This thesis focuses in particular on the contributions of German instrument makers Carl Almenraeder (German: Almenräder) and Johann Adam Heckel. Their study of the mathematics, acoustics, and physical properties of the bassoon, and their creative and ingenious improvements, set the pair apart and ensured their enduring legacy as the most skilled, important, and influential bassoon makers in history.